Breaking down the '13 Rock 'n' Roll HOF noms

CHRIS RIEMENSCHNEIDER | Updated 10/4/2012

Why Public Enemy, the Meters, N.W.A. and even ol' Donna Summer deserve inductions.

Metalheads have a little less to complain about -- but not disco haters – after today’s announcement of the Rock and Roll Hall of Fame nominations. Rush, Deep Purple, Heart and Joan Jett & the Blackhearts made the ballot for next year’s induction ceremony (but not Kiss, as is still the Hall’s greatest shame). Disco-affiliated ‘70s stars Donna Summer and Chic are also on the list, as is pioneering hip-hop groups Public Enemy and N.W.A., German electronic heroes Kraftwerk, New Orleans funk masters the Meters, blues guitar giant Albert King, plus leftover ‘60s acts Procol Harum, the Paul Butterfield Blues Band and the Marvelettes. Here’s who should take the podium when the ceremony is held next April: 

PUBLIC ENEMY

Why?: Should be a shoo-in, I believe. Simply the greatest hip-hop group of all time, with at least three landmark albums to their name: “Yo! Bum Rush the Show,” “It Takes a Nation of Millions to Hold Us Back” and especially “Fear of a Black Planet.” They enjoyed a decent amount of commercial success despite little to no airplay, as is often a gauge for Hall voters, with the latter two albums topping a million in sales. More importantly, they integrated social commentary more effectively than any other hip-hop act before or since. Why not?: The incredibly lame argument that rap music doesn’t belong in the Rock and Roll Hall of Fame is the only one I can think of.

THE METERS

Why?:Their timeless ‘70s albums are a blueprint for so much funkified music that came after, from the Talking Heads and Red Hot Chili Peppers to essentially every hip-hop album with a good beat. They also did session work for Allen Toussaint and Dr. John and made a strong impression on the Stones, who brought them on tour in the mid-‘70s before co-founders Art and Cyril Neville started the Neville Brothers. Why not?: Lacking in commercial success and name-brand recognition.

ALBERT KING

Why?: With his classic albums for Stax Records (“Born Under a Bad Sign,” “Live Wire/Blues Power”) and dynamic stage presence, the late Memphis legend and are as responsible as anyone else for influencing rock’s bluesiest guitar aces, with Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan and the Doors’ Robbie Krieger being four of his biggest devotees. Why not?: Hall voters who don't like lengthy blues guitar jams in their rock can blame him.

 

DONNA SUMMER

Why?: Like it or not, disco was huge enough at the time for even the Stones and Kiss to sell out to it, and the late Donna Gaines (who just passed away in May) was a big reason for its success with such hits as “Hot Stuff” and “Love to Love You Baby.” Summer also went on to craft more innovative dance-pop albums and became a strong voice for women, not just with "She Works Hard for Her Money." Why not?: Too many of the Hall’s voters were active members of the “Disco Sucks” campaign and still have a target on her back.

N.W.A.

Why?: With Ice Cube, the late Eazy-E and Dr. Dre as its members and a direct connection to 2pac, Snoop Dogg and Eminem, the controversial group was a big bang from some of the most successful rap music ever made. Their own albums, especially 1988's “Straight Outta Compton,” blueprinted thuggish rap music across the country but also provided a darker, more street-level contrast to Public Enemy’s brand of social commentary. Why not?: They were rap’s original gangstas and thus also sparked some of its most violent imagery.

DEEP PURPLE